The A-List: A chat with the directors of Oscar-nominated Anomalisa
By Iain Blair
Maybe it was just a matter of time before director/writer/producer and Oscar-winner Charlie Kaufman — from whose quirky sensibility sprang such films as Being John Malkovich, Human Nature, Adaptation, Confessions of a Dangerous Mind, Synecdoche, New York and Eternal Sunshine of the Spotless Mind — turned his attention to an animated project.
Teaming up with director/producer Duke Johnson, whose previous credits include the Adult Swim shows Moral Orel and Mary Shelley’s Frankenhole, the result is Anomalisa, another quirky dreamscape that this time uses stop-motion and puppets to tell its story.
Based on Kaufman’s 2005 “sound play” called Theater of the New Ear, Paramount’s Anomalisa follows the mundane life of Michael Stone, a depressed service rep whose life and attitude is changed dramatically after meeting an unusual stranger. The making of the film, however, was anything but mundane.
After the stage script was given to Dino Stamatopoulos, co-founder of Starburns Industries, and Dan Harmon, creator of NBC’s Community, Anomalisa began its transition to the screen. Its journey was helped by a Kickstarter campaign and took shape as Kaufman’s first animated film.
Read More >