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Mad Max: Fury Road colorist Eric Whipp gets graphic
How collaboration between the DP, VFX and color was key to the film’s look
By Randi Altman

Warner Bros.’ Mad Max: Fury Road is quite a ride, with intense action from start to finish, a ton of visual effects and some pretty unforgiving and sand-filled locations and weather.

While this is a continuation of the Mad Max films of the past, you might notice a very different graphic look, and that was by design. Aussie director George Miller, who helmed the first three Mad Max features — in 1979, 1981 and 1985 — wanted this new film to have the feel of no other post-apocalyptic film that had come before it, including his own.

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Cine Gear Expo showcases production, 
post solutions
By Mel Lambert

With its focus on sound and image acquisition, the annual Cine Gear Expo — now in its 20th year — offers attendees the opportunity to examine a wide cross section of systems targeted at the production and post communities, including capture, storage and delivery configurations that accommodate 4K and HDR workflows. Held last Friday and Saturday at the Paramount Studios complex in central Hollywood, a large number of companies showed off new innovations within Stages 31 and 32, in addition to outdoor booths located throughout the New York Street area. This year’s event reportedly attracted in excess of 12,000 attendees.

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Quick Chat: SuperMeet founders Michael Horton and Daniel Bérubé

On June 26, the first Bay Area SuperMeetUp is taking place at the McEnery Convention Center in San Jose, California. Held in association with Future Media Concepts and the FCPX Creative Summit, the Bay Area SuperMeetUp will feature, among other things, a keynote by Randy Ubillos, former chief architect of Final Cut Pro.

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Benchmark Post opening at Todd-Soundelux location

Post Factory’s Alex Halpern on SIM Group merger

Hinge Digital takes on AdoptUSKids PSA

Audient shipping bus-
powered USB interface

Veteran colorist Todd Bochner joins Chainsaw

NewBlueFX Titler Pro 4 offers 24 new features 

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