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FotoKem’s Alastor Arnold helps set look for Ash vs Evil Dead
The colorist worked hand in hand with director Sam Raimi and 
editor Bob Murawski

By Randi Altman

Halloween is known for its ghosts, goblins and gruesome zombies, but this year we got an extra serving of the non-alive, dished up by Sam Raimi and Starz Network. Fans of Raimi’s The Evil Dead (1981) and its sequels were treated to the pilot episode of Ash vs Evil Dead. Many consider The Evil Dead films (including Evil Dead, Evil Dead 2 and Army of Darkness) cult classics, but they are so much more than that. Yes, they are campy and gory and more bloody than necessary, but it’s all done in an effort to make people laugh.

Back for this comedy/action/horror series on Starz is Bruce Campbell as Ash, the man who lost his hand in battle and then cleverly replaced it with a chainsaw. His quick wit and sarcasm have amazingly not diminished over the years. You know, it’s not easy to keep your sense of humor when evil dead people are after you!

Raimi, who directed the first episode, worked very closely with long-time editor and collaborator Bob Murawski and FotoKem colorist Alastor Arnold to create the look of the pilot.

While the show was shot digitally on Arri Alexa (with a couple of pickups shot via a Sony F55), Raimi wanted a filmic look, and that is a big part of what Murawski and Arnold worked to accomplish.

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A chat with post production veteran 
Leon Silverman

By Randi Altman

Leon Silverman is an industry icon. He’s GM of the Digital Studio at Walt Disney Studios and president of the Hollywood Post Alliance (HPA), the organization that is presenting him with its Lifetime Achievement Award on November 12.

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Creating the sonic world of Macbeth
By Jennifer Walden

On December 4, we will all have the opportunity to hail Michael Fassbender as he plays Macbeth in director Justin Kurzel’s film adaption of the classic Shakespeare play. And while Macbeth is considered to be the Bard’s darkest tragedy, audiences at the Cannes Film Festival premiere felt there was nothing tragic about Kurzel’s fresh take on it.

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Autodesk intros Flame software, new sub options

Behind the Title: Cut+Run 
MD Michelle Eskin

Boris Continuum Complete 
10 for Avid now available

Joe Dzuban joins 
Formosa Features

Harbor opens theatrical 
sound mixing division

Iron Claw adds 
EP
Brian Butcher

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